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Numerology. The fifth page describes numerology of numbers 3 and 9, and also describes gods of ancient Greek mythology who correspond to the numerological three and the numerological nine. Besides this page gives the information on comparison of numbers in numerology with aspects of planets which are formed within the framework of astrological circle. |
 Hermes. |
Hermes. (numerology of number 3). Hermes is the son of Zeus and mountain nymph Maia. Her name corresponds to the name of the third month May in the Roman calendar that is the additional evidence on a parity of Hermes with number 3 in numerology. Hermes is the intermediary between three worlds: world of gods, world of people, world of death. He is the messenger (herald) of gods and he speaks with people from the world of gods, and also he is a conductor (guide) of people in the world of death. Hermes sends people dreams which announce will of gods. Hermes is artful and dexterous, and also he is declined to trickery and assignment of the another's property, but also he gives to people essential and necessary, and prompts correct actions, but nevertheless he is capable to deceive. Hermes is the patron of travel and wanderings. He sends people successful coincidence of circumstances and successful accidents. Hermes has musical abilities and has created seven-stringed lyre which has presented to Apollo in exchange for the magic gold staff (caduceus) which has talented Hermes with ability to divination. Namely Apollo has taught him to guess by means of the magic staff, but art of Hermes' divination is consisted in the magic staff which makes sleepy and consequently differs from inspired prophetical art which Apollo has, or differs from art of predictions and forecasting which belongs to Prometheus. |
Hermes is the expert on mystery and secret knowledge. He is the patron of
esoteric doctrines and occult sciences which are based on mystery and various magic attributes.
He is the grandson of Atlas who was the brother of Prometheus and consequently Hermes
aspires to knowledge as Atlas and Prometheus have knowledge.
In essence modern occultism or so-called theosophy exist under protection of
Hermes (Hermes Trismegistus) and consequently operate with knowledge which are
accessible for Hermes, but occultism and theosophy have no knowledge which are
known to other gods and are not open for Hermes. Magic staff (caduceus) of
Hermes is a symbol of occultism. This Magic caduceus opens secret (esoteric) mystery but
according to mythological legends this magic staff makes sleepy or otherwise to
tell makes sleepy of reason that allows to guess and find out information on the
past or the future, and also allows to find out secrets by means of
unconsciousness mentality which are subject to Hermes.
As against Artemis and Hecate who create communications of human relations,
Hermes releases bindings which connect people. Therefore lunar magic of Hecate
and natural magic of Artemis differ from magic abilities of Hermes. Namely
Hermes is the conductor in the world of death and consequently his magic
releases people from bindings with the natural world of life which belongs to
Artemis, and releases from animal fears which accompany lunar magic of Hecate.
In Roman mythology Hermes is equivalent of Mercury who was the god of trade
and commercial benefit. Mercury goes in support of Fortune who is the goddess of
happiness and good luck, and symbolizes variability of the world and changes of
destiny which can be favorable if
circumstances of life develop in a sequence of events favorable for the man.
 Aphrodite. |
Aphrodite. (numerology of number 9). Aphrodite is the goddess of love and beauty. Aphrodite is most senior than Olympic gods as she has appeared from blood of Uranus who corresponds with the world global category of energy and consequently Aphrodite symbolizes force of love energy (energy of love) which penetrates all world. She is eternally young and also she is accompanied by nice and invariable young Charites (Graces). She subordinates people and gods by means of the love energy, and also subordinates four world elements, but virgin goddesses Athena, Artemis (light image of Artemis) and Hecate (light image of Hecate) are not subject to Aphrodite. Aphrodite is the goddess of erotic love that differs from Hera or dark image of Artemis whose love is caused by wild call of a nature and physiological need of children's birth, and also caused by creation of children for the sake of continuation of families and for preservation of the world order. The love of Aphrodite pacifies wild animals and restrains enmity of people or gods. Myths describe Aphrodite Urania (Celestial) who was born of Uranus' energy, and also myths describe Aphrodite Pandemos (Public) who is accessible to all. Namely Aphrodite corresponds with primary world energy of love, and you see Olympic gods are derivatives from initial world potentialities and initial energy and consequently among Olympic gods Aphrodite has an image which is comparable with images of Olympic gods, and this image is Aphrodite Pandemos. |
Aphrodite Pandemos. (numerology of number 9).
Aphrodite Pandemos is the daughter of Zeus and Dione.
Dione is oceanid whose name is conformable to name of Dionysus which was the
nation-wide god of winemaking and idle art that liken the image of Aphrodite
Pandemos to the image of Dionysus, but in myths there are no direct communications between Dionysus
and Aphrodite Pandemos or between Dionysus and Dione.
Aphrodite Pandemos is the goddess of hetaeras and sensual pleasures. She wears
beautiful expensive clothes and jewelry. She wakens love desires in people and
gods. She helps in love people and pursues those who rejects or refuses mutual love.
The husband of Aphrodite is Hephaestus who is the ugliest god but the skilful master
that determines interrelation of numerological numbers 7 and 9. That is
conflicts of Hephaestus to the world order are compensated by beauty of
Aphrodite who is recognized as the most beautiful in the world.
Aphrodite not only inspires love but falls in love itself and consequently she
is unfaithful to the husband. Eros and Harmonia are born from connection of
Aphrodite with Ares, but also Deimos (dread) and Phobos (fright) are born, namely
Aphrodite derivates not only beauty and love but also derivates the horror which
arises in charm of demonic beauty.
Aphrodite is recognized as the most beautiful goddess that is determined by
Paris when he estimated beauty of three goddesses Athena, Hera, Aphrodite.
Choice of Paris is caused by that Aphrodite promised possession Helen who was
the most beautiful woman among people. As against Hera who promised to Paris
the regal greatness surpassing all terrestrial tsars, or as against the promise
of Athena who offered bravery and heroism.
The Greek Aphrodite is identical to the Roman Venus whose name means "favor of gods".
Numbers of numerology can be compared to astrological aspects which are
formed by configurations of planets or other heavenly bodies. Namely by means of
numerical values from the view point of numerology it is possible to define
meanings of aspects which are formed by heavenly bodies.
Aspects (constellations) are geometrical ratio of heavenly bodies within the framework of
astrological circle. Otherwise it is possible to tell that aspects are elements
of geometrical figures which are formed by heavenly bodies and are entered in the
astrological circle. Hence, aspects have properties of geometrical figures and
correspond with values of numbers in numerology as numbers correspond with
geometrical figures. And also aspects have properties of mythological gods as
mythological gods correspond with numbers. For example, the astrological aspect
trine (120 degrees) is the side
of an isosceles triangle and consequently the trine has properties of
numerological number 3 which corresponds with a geometrical figure of triangle,
and also the trine has properties of mythological Hermes who corresponds with number 3.
But it is necessary to take into account that in a context of astrology the
properties of mythological gods are direct characteristics of planets and other
heavenly bodies and consequently it is necessary to distinguish characteristics
of heavenly bodies and properties of aspects which are formed by their mutual
positions. And also it is necessary to correlate properties of aspects to
mythological gods without personifications and to consider aspects as
"inanimate" conditions according to which personages of heavenly bodies
interact.
Aspect conjunction (concurrence of heavenly bodies within the framework of
astrological circle).
This astrological aspect corresponds to numerological number 1 and specifies
direct interaction of heavenly bodies as the appropriate god Ares has property of
direct influence on opponents. Namely as a result of interaction one heavenly body submits
to other heavenly body as Ares is the aggressive and contradictory god that can
cause antagonism of heavenly bodies or can be quiet if any one heavenly body is
capable to submit to other heavenly body.
Aspect opposition 360/2=180 degrees (opposite position
of heavenly bodies within the framework of astrological circle).
This astrological aspect corresponds to numerological number 2 and specifies on
dual display of qualities of heavenly bodies as a result of the
interaction because the appropriate goddesses Hecate or Artemis have dual
qualities. Namely cooperating heavenly bodies mutually replace own qualities or
are identified each other. Otherwise it is possible to tell that displays of
heavenly bodies become similar that can be inconsistent or not inconsistent
depending on characters of heavenly bodies.
Aspect trine 360/3=120 degrees (position of heavenly
bodies within the framework of astrological circle
with angular coordinate 120 degrees).
This astrological aspect corresponds to numerological number 3 and a
geometrical figure of triangle. It pecifies successful and conflict-free process
of interaction of heavenly bodies as the appropriate god Hermes is the patron of
lucky coincidences and he helps to make correct decisions.
Aspect square 360/4=90 degrees (position of heavenly
bodies within the framework of astrological circle
with angular coordinate 90 degrees).
This astrological aspect corresponds to numerological number 4 and a
geometrical figure of square. It specifies the compelled and necessary
interaction of heavenly bodies which is caused by the essential and important
reasons as the appropriate goddess Hera is guided in own actions by the obligatory
necessity. Namely interaction of heavenly bodies is dictated by necessity and is
compulsory that can be favorable or adverse depending on characters
which heavenly bodies have.
Aspect quintile 360/5=72 degrees (position of heavenly
bodies within the framework of astrological circle
with angular coordinate 72 degrees).
This astrological aspect corresponds to numerological number 5 and a
geometrical figure of pentagon. It specifies freedom of actions which is shown in
interaction of heavenly bodies as the appropriate goddess Athena is independent
among Olympic gods and has freedom of actions according to own representations
about necessity of realization of those or other actions.
Also this aspect can specify wise interaction of heavenly bodies during which
each heavenly body shows necessary qualities which allow to achieve optimum
results as Athena is the goddess of wisdom.
Aspect sextile 360/6=60 degrees (position of heavenly
bodies within the framework of astrological circle
with angular coordinate 60 degrees).
This astrological aspect corresponds to numerological number 6 and a
geometrical figure of hexagon. It specifies interaction of heavenly bodies as a
result of which actions correspond to mutual interests because numerological
number 6 corresponds with the Supreme Olympic gods who have the right of settlement of
common interests. It is possible to tell that characteristics of heavenly bodies
are shown according to will of gods, and interaction can be disputed or not
disputed but circumstances of actions develop according to mutual interests and
satisfy both cooperating sides.
Aspect septile 360/7=51,4... degrees (position of
heavenly bodies within the framework of astrological circle
with angular coordinate 51,4... degrees).
This astrological aspect corresponds to numerological number 7 and a
geometrical figure of heptagon. It specifies interaction of heavenly bodies as a
result of which actions contradict rules or cause a
punishment, because appropriate gods Hephaestus and Prometheus counteract laws
of the world or their affairs cause displeasure of the Supreme Olympic gods.
Namely as a result of interaction of heavenly bodies there is an infringement or
inconsistent comprehension of usual laws and rules, and interaction can be
disputed or not disputed and also results of actions can be positive or negative
but in any case results of actions are inconsistent.
Aspect semi-square 360/8=45 degrees (position of
heavenly bodies within the framework of astrological circle
with angular coordinate 45 degrees).
This astrological aspect corresponds to numerological number 8 and a
geometrical figure of octagon. It specifies interaction of heavenly bodies which
is inspired with aspiration to an ideal and if results of actions do not
correspond to an ideal then there is a dissatisfaction as appropriate gods
Apollo and Dionysus exist in a condition of inspired or intoxicate aspiration to
an ideal. Or it is possible to tell that interaction of heavenly bodies occurs
during the changed condition of consciousness but then there comes sober understanding of essence of the occurred
actions which can be burdensome if results bring to mistakes and errors, or
results can be correct that depends on characters of heavenly bodies.
Aspect novile (nonagen) 360/9=40 degrees (position of
heavenly bodies within the framework of astrological circle
with angular coordinate 40 degrees).
This astrological aspect corresponds to numerological number 9 and a
geometrical figure of nonagon. Specifies that interaction of heavenly
bodies is caused by mutual reconciliation as the appropriate goddess Aphrodite
has reconciliatory force of love. Namely results of actions can be correct or
wrong that depends on characters of heavenly bodies but during interaction
there are no conflicts even if characters of heavenly bodies are inconsistent.
Except for the listed meanings during interaction of heavenly bodies there
can be other meanings of astrological aspects which the appropriate
numerological numbers and mythological gods have. For example, if interaction is
caused by the aspect nonagen then reconciliation of heavenly bodies can result
in recurrences of incorrect consequences, but nevertheless reconciliation can be more
desirable rather than correct actions. Or, for example, if interaction of
heavenly bodies is caused by the aspect septile then as a result of conflicts to
world laws there can be non-standard decisions of complex problems.
The listed aspects are the basic in the astrology but except for them there are
additional aspects which are geometrical harmonics of the basic aspects. Namely
aspects 72+72=144 degree, 72/2=36 degrees, 72+36=108 degrees which are harmonics
of the aspect quintile. Or aspects 60/2=30 degrees, 120+30=150 degrees
which are harmonics of the aspect trine or harmonics of the aspect sextile
60 degrees. Additional aspects have own values which nevertheless correspond
with values of the basic aspects.
Detailed consideration of aspects of heavenly bodies is outside of a context of
this site but the given comparisons of numerological numbers and
mythological gods with aspects of heavenly bodies allow to understand essence
which aspects have in astrology. And also the given information somewhat
allows to understand esoteric essence which geometrical figures have.
The following page considers the goddess Athena who corresponds with number 5 in numerology and is a key figure in the pantheon of Olympic gods.
